December 08, 2016, 8:17am
After a year at Fontainebluea, NADA returns to the Deauville Beach Resort. Although the Deauville is kind of tired, I think it's nice to have multiple rooms to break up the experience, and it's always good to have views of the beach. Overall, it seems like a good move for the fair to make it back up north. Below are some shots from NADA 2016. Enjoy! - Andrew Katz, Associate Publisher
All photos by Andrew Katz.
December 05, 2015, 10:24am
More photos from my trip to Miami! This time from NADA Miami Beach 2015 at the Fountainebleau Hotel. It's a new venue for NADA, and we think a good choice. As always, be sure to click on the images for full view! Andrew Katz, Associate Publisher
November 23, 2015, 11:10am
We put together a comprehensive list of the fairs during Art Basel, Miami Beach. See you there?
Photo by Andrew Katz, New American Paintings
December 3 - 6
Miami Convention Center
Thursday, December 3rd, 3pm - 8pm
Friday, December 4th, 12pm - 8pm
Saturday, December 5th, 12pm - 8pm
Sunday, December 6th, 12am - 6pm
December 03, 2014, 9:52am
The art market is really a miracle of evolution…it is a machine…and all this machine does is swim and eat and make little sharks. Like a shark, if it stops moving forward it will quickly die. To prevent this from happening, the art market has become exceedingly good at generating and packaging the next best thing. In the old days critics and curators thought long and hard about visual culture and classified periods of time and groups of artists accordingly. These days things are moving much too quickly. We used to think in terms of –isms, but now we become briefly aware of trends.
At any given time there are numerous trends flowing through the art world. Of all the stakeholders, it is perhaps not surprising that dealers value their emergence the most. After all, there is great marketing leverage when an artist can be attached to something greater than his or her own individual practice. Collectors love trends to. It makes things super easy. Just look for something that people are excited about and buy anything that kind of looks like it. I see plenty of this in my art dealer life...these "collectors" typically have much better ears than eyes.
NICOLAS DESHAYES |Vein Section (or a cave painting), 2014, vitreous enamel on steel, powder-coated aluminum frame, 33 1/10 × 23 3/5 × 1 3/5 in, Courtesy of Jonathan Viner.
Of all the trends that will be on display in Miami this week, one strikes me as particularly pervasive: process-based painting. And one fair has more of it then any other: the ultra hip Nada Miami Art Fair. Even a cursory look at what treasures the fair will hold quickly reveals that an overwhelming amount work that belongs to the same family. Moreover, this work is spread across the stables of a wide swath of galleries. When looking at it, descriptives that come to mind include: abstract, anti-compositional, vintage, distant, cool, decorative, seductive, all-over, photographic, entropic, pattern, digital, repetitive, patina and processed. Artists that come to mind: Polke, Oehlen, Wool and Guyton.
There is no doubt that abstract painting has been the most exhibited art form over the past decade, and it has come in a variety of brands. Lately, there seem to be more and more artists who are defining their practice not so much with a specific subject or style, but by the way in which their work is made. Bleach, printing technologies, fire extinguishers, photographic chemicals, the sun and more have been deployed in the service of aesthetic advancement. The results are varied. Artists such as Hugh Scott Douglas and Sam Moyer, both of whom are on view at Miami Basel, are making substantial work and truly pushing the discourse forward. Many others are finding their way.
For those of you in Miami this week i will be curious to hear what you think. Are we witnessing the birth of Process-ism, or simply being offered this season’s hottest trend? - Steven Zevitas, Publisher
May 06, 2014, 4:16pm
Since the late-1990s, New York-based artist David X. Levine has produced an extraordinary body of work that has continuously evolved. On the eve of his solo booth presentation at the 2014 NADA New York art fair, writer and critic Michael Wilson takes a look at the artist’s influences and – increasingly large-scaled - output over the past five years.
December 03, 2013, 10:29am
Love them, or hate them, art fairs are now a firmly entrenched part of the art world’s commercial mechanism. Every art fair has its own unique feel and vibe. Some are stately and serene, while others are brash and raucous. Of all the smaller art fairs that take place annually, perhaps none is able to generate the amount of pure heat that the annual installment of the NADA Art Fait in Miami is able to. The VIP preview of NADA has consistently been one of the most eagerly anticipated events on the art fair circuit. On opening morning the biggest collectors in the world, and those on down the food chain, our lined up for what can only be described as a feeding frenzy.
This year’s installment of NADA, Opening Thursday December 5th, is sure to have manufacturers of tiny red dots working overtime to meet the demand. The fair can now be previewed on the excellent art web site Artsy. I spent some time checking it out and after the jump are ten things that are Must See as far as I am concerned. - Steven Zevitas, Publisher
December 02, 2013, 10:46am
Here we go again: it is Miami time for the art world. Over the next week hundreds of galleries representing thousands of artists will descend on southern Florida for an annual event that is part cultural bazaar, and part art world summer camp. Once again, there are a multitude of art fairs: NADA, Untitled, Miami Project and Pulse just to name a few. At the top of the art world pyramid though, stands the fair that got the whole week humming: Art Basel Miami.
For someone who is in Miami working, on-line art fair catalogs are a god send. I spent a few hours scouring the Basel online catalog in search of work/exhibitions that I “must see” in the relatively brief time I will have to spend at the cavernous Miami Beach Convention Center. I am also always curious as to which artists from past issues of New American Paintings have made it to what is arguably the biggest stage in the commercial world today (for example, Andrew Brischler who appeared in NAP just a couple of years ago and now finds himself at the big show with GAVLAK).
Andrew Brischler (NAP #98)
In the next few days I'll be posting lists comprised of artists, artworks, and exhibitions appearing at this year’s installment of Art Basel Miami that I am eager to see. I focused mostly on emerging artists. There is obviously a plethora of historic and blue chip work that will be on view as well, but I tend to focus on the new and interesting at these things.
Today's list is comprised of former New American Paintings artists that you'll find at this year's Art Basel. Tomorrow we'll start posting other artists at the fair. - Steven Zevitas, Publisher