IONA ROZEAL BROWN
January 10, 2016, 10:09am
Catchig up with Blaise Rosenthal, 2014 New American Paintings Annual Prize Winner
One of the most gratifying aspects of publishing New American Paintings over the years has been watching our alumni go on to accomplish great things. The publication's history is replete with artists who were featured early in their careers that have gone on to become nationally and, in some cases, internationally recognized artists. Among them are individuals such as Iona Rozeal Brown, William Cordova, Amy Cutler, Trenton Doyle Hancock, Matthew Day Jackson, Eddie Martinez, Allison Schulnik and James Siena. At the end of the day, New American Paintings' number one goal is to offer deserving artists a vehicle though which there work can be discovered by an engaged and geographically diverse audience.
Since 2010, New American Paintings has awarded an annual prize to one of the two hundred and forty artists featured in that calendar year's six issues (look for our 2015 poll in the next week). In 2014, the winner of that prize was self-taught artist, Blaise Rosenthal, whose dusky, minimal abstractions draw more from his personal experiences and the American landscape then they do art historical precedent. I ran into Rosenthal's work on my annual visit to the Miami art fairs in early December. As I walked down an aisle of the UNTITLED art fair, there they were in the distance. I recognized them instantly, which, in today's overcrowded and homogenized art world really says something. It may sound trite, but these paintings have genuine presence and are clearly made by an artist who is actively searching...who is digging in the dirt. There is no artifice, or pretense to them.
As it happens, the reason Rosenthal's paintings were on view at UNTITLED is that Oakland based gallery Johannson Projects had recently discovered the work in New American Paintings. By all accounts, the relationship between Johannson and Rosenthal has turned into one that has been mutually beneficial. I had the chance to speak with Rosenthal at UNTITLED, and subsequently reached out to ask him some additional questions about his work and practice. Our conversation can be found below. - Steven Zevitas, Publisher
Blaise Rosenthal | The Ridge, Acrylic and Charcoal on Canvas, 26x29 Inches
December 02, 2013, 10:46am
Art Basel Miami Beach; Can't Wait (Part One)
Here we go again: it is Miami time for the art world. Over the next week hundreds of galleries representing thousands of artists will descend on southern Florida for an annual event that is part cultural bazaar, and part art world summer camp. Once again, there are a multitude of art fairs: NADA, Untitled, Miami Project and Pulse just to name a few. At the top of the art world pyramid though, stands the fair that got the whole week humming: Art Basel Miami.
For someone who is in Miami working, on-line art fair catalogs are a god send. I spent a few hours scouring the Basel online catalog in search of work/exhibitions that I “must see” in the relatively brief time I will have to spend at the cavernous Miami Beach Convention Center. I am also always curious as to which artists from past issues of New American Paintings have made it to what is arguably the biggest stage in the commercial world today (for example, Andrew Brischler who appeared in NAP just a couple of years ago and now finds himself at the big show with GAVLAK).
Andrew Brischler (NAP #98)
Gavlak
In the next few days I'll be posting lists comprised of artists, artworks, and exhibitions appearing at this year’s installment of Art Basel Miami that I am eager to see. I focused mostly on emerging artists. There is obviously a plethora of historic and blue chip work that will be on view as well, but I tend to focus on the new and interesting at these things.
Today's list is comprised of former New American Paintings artists that you'll find at this year's Art Basel. Tomorrow we'll start posting other artists at the fair. - Steven Zevitas, Publisher
February 26, 2013, 2:57pm
Iona Rozeal Brown in the New York Times
We've been keeping an eye on Iona Rozeal Brown since she made an appearance in our 2002 MFA Annual. On Friday she was featured in the Art and Design section of the New York Times. After the jump, read the entire article. Congrats Iona!
Photo By Chester Higgins Jr./The New York Times
Here is a link to the original article on the New York Times Website
October 29, 2012, 8:30am
Gallerist at Home: Margaret Heiner
Nestled in DC’s Georgetown neighborhood, Margaret Heiner’s cozy gallery Heiner Contemporary, is quite perfect for a bustling college town, as it offers visitors young, fresh, and contemporary art.
Heiner has a keen eye for contemporary art, which at her home, serves as quite a compliment to her husband’s passion for Renaissance and Baroque art. Together, their home reflects their combined love and zeal for art, while also showcasing their different tastes and preferences. – Ellen C. Caldwell, Los Angeles Contributor
October 14, 2011, 8:00am
Iona Rozeal Brown and 30 Americans at Corcoran
Over New American Paintings’ history we have reviewed the work of tens of thousands of artists. For those with a keen interest in contemporary painting, the publication has had an incredible track record of featuring artists that have gone on to gain significant attention. Iona Rozeal Brown is one such artist. She was featured in our 2002 MFA Annual when she had just graduated from the Yale School of Art.
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