NAP Artists on View
March 31, 2020, 2:02pm
NAP on View: COVID-19 Affected Exhibitions
The COVID-19 crisis is changing all of our lives in ways that we could not have imagined even a month ago. The art world, which is always a fragile ecosystem, is already feeling the strain as museums, art fairs, galleries and myriad other organizations have been forced to close, or cancel upcoming events. This is, unfortunately, only the beginning. Once the economic dusts settles, artists, and those who spend their lives supporting their efforts, are in for a bumpy ride.
Over the coming weeks, we at New American Paintings will be using our creativity and platform to help promote the work and efforts of artists around the country. Artists can spend months, and sometimes years, preparing for exhibitions, and the galleries that support them dedicate vast amounts of time and resources to making those exhibitions happen. Here is a sampling of exhibitions by New American Paintings alumni that are being impacted by the COVID-19 crisis.
-- Steven Zevitas, Founder and Editor in Chief
1. Britton Tolliver (Pacific Coast #139): Luis de Jesus Los Angeles
installation view, courtesy of the artist and Luis de Jesus Los Angeles
December 17, 2019, 6:09pm
NAP TAKE OVER: Art Basel Miami Beach
As we trade in our bathing suits for winter coats, we take a look back at the 71 NAP alumni that took over Miami Art Week this year. No matter whether you were strolling down a long aisle at Untitled, turning a corner at NADA, or scooting around celebrities at Art Basel, there were NAP stars at every turn. To see so many old and new friends making waves warms our hearts more than fuzzy socks and boots could ever warm our toes.
Congratulations to all of our NAP family! Keep scrolling to see the -we repeat- *71* NAP artists on view:
ART BASEL MIAMI BEACH:
Devan Shimoyama (NAP #116 and #105)
Courtesy of Kavi Gupta.
September 18, 2019, 5:11pm
7 NAP ALUMNI SHOWS YOU CAN'T MISS
1. Hauser & Wirth New York: Amy Sherald (South #88)
Amy Sherald. the heart of the matter…
September 10 – October 26, 2019
Amy Sherald, When I let go of what I am, I become what I might be (Self-imagined atlas),2018, oil on canvas, 54 x 43 x 2 inches
Image courtesy of the artist and Hauser & Wirth
March 15, 2019, 4:37pm
Personal Stars: Maia Cruz Palileo at Monique Meloche Gallery
She has finally come, born across centuries and oceans and the yawning gaps of the pied world hewn for us and by us from the flesh and bone of the Earth, across the ragged expanse—flesh hanging like foliage, necrotic, mycological and un-healing as the hearts of men (men especially, here, not “men” as the priapic stand-in for all humankind, which is a fucked up way to think and really truly indicative of the kind of men we are being dealt with here, men who happen upon a glorious verdant chain drawn across the vicious expanse which hides in it the horrors of our world, the planet's calid sacred heart, the shifting red, the immolating ring born on the Jovian finger of the true ruler who we have betrayed, just like we're betraying each other, or more specifically in this case these men are betraying each other), the men whose claret-caked hands have driven the bayonet, twist the aperture far beyond the fibrin, wipe clean the entrails and drive forward again—and she has freed, has excised, has extricated the men's targets, with a deific scalpel, debridement as deliverance, from the burdens of white men, from the alien words which fall hard, knocking teeth over like tombstones—cultural vandalism!, vandalism-cum-conquest, petty and political, in the sense of all structures being re-sorted, the scaffold a literal skeleton—as they drop like a bird kill; has cut them free of the white cloth which is the funeral veil of their own humanity, the very backdrop to the cruel slavery of scare quote science before which they pose dead on and in profile, the twin portraits of prisoners and objects, and placed them instead in the tabula rasa of a sympathetic and empathetic framer …
December 07, 2018, 12:35pm
New American Paintings Alumni Take Over NADA Miami
NAP is still soaking up the sun at Art Week Miami. First, we took a trip to see the 20 NAP Alumni taking over UNTITLED Miami, now we roll on over to NADA Miami and share 17 NAP Alumni and stand-out stars. Keep reading for the booths you shouldn't miss:
1. Anthony Iacono (MFA #129)
Marinaro Gallery | Booth #1.07
Cap
2018
acrylic on cut and collaged paper
24 x 18 inches
Image courtesy of Marinaro Gallery
December 05, 2018, 12:09am
New American Paintings Alumni Take Over UNTITLED Miami
It’s that time of year again- Art Week Miami is upon us. New American Paintings is trading in our winter coats for flip flops and jetting off to UNTITLED Miami. Come with us as we see friends of past and present, starting with the 20 NAP Alumni booths you don’t want to miss:
1. Alex Jackson (Midwest #119)
Jenkins Johnson Gallery | Booth #D22
Trance Glance
2018
oil on panel
24 x 20 inches
Image courtesy of Jenkins Johnson Gallery
November 16, 2018, 4:54pm
NAP Artist on View: Anthony Palocci Jr.
New American Paintings alum Anthony Palocci Jr. (Northeast #104 and #134) on view at EXCHANGE BERLIN with SEASON. EXCHANGE BERLIN is an artist/curator focused presentation organized by Sluice, London, focusing in collaborative and alternative exhibition methods, jointly exploring the potential of international engagement in localized projects.
EXCHANGE BERLIN
November 16 - November 18, 2018
For more information please visit:
SEASON
206 679 0706
Anthony Palocci Jr.
Untitled (Pencil Stub)
2018
gouache on paper
11 x 14 inches
photo courtesy of SEASON
October 25, 2018, 2:11pm
NAP Artist on View: Annie Lapin
New American Paintings alum Annie Lapin (Pacific Coast #91) on view at Miles McEnery Gallery.
ANNIE LAPIN
October 11 - November 10, 2018
For more information please visit:
Miles McEnery Gallery
525 West 22nd Street
New York, NY 10011
212 445 0051
Annie Lapin
Art of Heads and Hands
2018
oil, oil stick, vinyl paint, acrylic and charcoal on linen
72 x 96 inches
photo courtesy of Miles McEnery Gallery
October 12, 2018, 3:56pm
Crushing the Can: Wendy White
Oh!,my good fucking God can you hear it?, that low sounds like harnessed thunder, that rumble of plates and paradigms being pushed, the trembling, the shuddering, heaven-shaking, deity-quaking--because He is hiding—kraken's roar of an engine, an engine of creation through destruction, God's Own 1972 Plymouth Scamp column cracked and with the proper hand finally at the wheel, stepping down, stepping hard with all the driver's got, dropping that pedal like a guillotine and shredding denim and the very fabric of time and space, ripping loud and fast though an amalgamation of the decades of the American man, the formative years when the whole bloody disgusting thing, the thing which we're witnessing the apex and nadir both of now—an extinction boom, the rage-filled cry of something mortally wounded, the eyetooth corner, the coiled snake striking forth from the fly, the death rattle, please let if be the death rattle!—this hypermacho, alpha-male, dick-in-one-hand, beer-and-throat in the other toxic masculinity, and she's crushing that can now;
October 11, 2018, 5:27pm
NAP Artist on View: Taravat Talepasand
New American Paintings alum Taravat Talepasand (Pacific Coast #43 and #79, MFA Annual 2007) is featured in Bay Area Now 8, the Yerba Buena Center For the Arts' triennial featuring the top artists, architects, and designers in the Bay Area.
Bay Area Now 8
September 7, 2018 - March 24, 2019
For more information please visit:
YERBA BUENA CENTER FOR THE ARTS
701 Mission Street
San Francisco, CA 94103
415 978 2700
Taravat Talepasand
Trump Runner, Made in Iran
2018
cotton tapestry, made in Iran
108 x 20 inches
photo courtesy of the artist
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