December 13, 2017, 10:30am
Another week of art, and pretty much whatever else, in Miami is in the books. This year, I participated in the amazing UNTITLED art fair, which has been gaining ground as a “must see” fair for serious collectors. As always, I took the opportunity to get out to visit other fairs, museums and private collections. There was a lot of good energy in Miami and a lot of strong artwork to be seen. - Steven Zevitas, Publisher
December 01, 2017, 9:11am
I have said it before, but one of my greatest joys these days is watching the careers of artists featured in New American Paintings explode. Working with curators, we review the work of more than 6000 artists every year and try to identify those who are exceptional. We take this job VERY seriously.
The way the art world is structured these days, there is, perhaps, no bigger stage to present your work than Art Basel Miami. Thousands of art lovers attend each year and just about every major collector and curator from around the world is there. There are at least two-dozen of our alumni on view this year, which is extraordinary. Some of these artists, such as Jordan Casteel and Loie Hollowell, have gained international attention just in the past twelve months. If you receive New American Paintings, as hundreds of collectors and curators do, you would have discovered their work before they entered the gallery system. Join us. – Steven Zevitas, Publisher
September 17, 2017, 9:23am
EXPO Chicago, like many of its art fair counterparts, contains the requisite grabby, show-stoppers we’ve come to expect. However, after the initial lure of the spectacle fades, the eye begins to locate the stronger, more contemplative works emerging from the depths of the exhibitor booths. The works of these six artists are prime examples of pieces that reward a slower viewing, that expand, deepen and reveal more, the longer you look. – Robin Dluzen, Chicago Contributor
Elise Ferguson | Bats, pigmented plaster on MDF, 40" x 30"
April 15, 2017, 9:10am
Any one of the 90+ national and international galleries that exhibited at the 9th annual Dallas Art Fair this past weekend will likely agree on one thing: Dallas is serious about building relationships. And of course with those good relationships comes good business. It’s that process that I’ve seen expand and sharpen over the past five years I’ve attended the event. What’s really unique about this fair extends to what is really special about Dallas and that is an accessibility that isn’t easily found within larger cities. Don’t get me wrong, I’m sure there were plenty of VIP events and high end meet ups but there were also open invite after parties where everyone from Journalists to Dallas based artists danced with international gallerists, collectors, and local graduate students. What happens outside the manageable sized fair allows for visiting galleries and artists to actually spend time in the city further connecting with Dallas as an arts destination and home to a thriving arts community. What was happening inside the fair was a scattering of phenomenal paintings throughout two floors at the F.I.G Building in Downtown Dallas. – Arthur Peña, Dallas Contributor
January 25, 2017, 9:00am
In the last few weeks, artists have gotten involved in creating signs, banners, and other creative march accoutrements for the Women’s March on Washington, as well as at least 240 other domestic and international cities. Artists such as Shepard Fairey, Jessica Sabogal, and Ernesto Yerena Montejano, donated their time and creativity, offering free poster downloads like these. These ten prints were seen in many shapes, sizes, and iterations at marches worldwide. – Ellen C. Caldwell, Los Angeles Contributor
December 20, 2016, 10:11am
Twenty-thousand years after man first huddled in a dimly lit cave and consciously placed marks upon a wall in an attempt to better understand, and perhaps change, the world, contemporary artists continue to make marks on two-dimensional surfaces with much the same intent. No matter how many times painting has “died” over the years, it keeps coming back to take another shot - reanimated, reinvigorated and ready to deliver the goods. And why not? People still respond and attend to the oldest of mediums with a reverence that no other artifact of cultural production can elicit.
In 2016, artists continued to make paintings, while galleries and cultural institutions dedicated the majority of their exhibition space to their display. During art fair week in Miami in early December, which was marred by low attendance due to post-election malaise and the specter of Zika, there was more painting on view than ever. Photography and other media were scarce. As was evident last year, much of the painting of display was representational with the preponderance of figurative subject matter being notable. Even at the younger fairs such as NADA, there was an almost complete absence of the type of bland, process-based abstraction that had been everywhere for the last five years. Ever aware of the latest trends, smart dealers of all levels have scrambled to bring image based painting into their programs.
I am happy to see that many of the artists that I selected for last year’s list had stellar years. Brian Belott seemed to be everywhere having been taken on by both Gavin Brown and Moran Bondaroff in 2016. Emerging artists Loie Hollowell and Laeh Glenn both became collector darlings in 2016, and mature artist Nancy Shaver had a very strong outing at Derek Eller that received positive critical attention. – Steven Zevitas, Editor/Publisher
December 09, 2016, 6:37am
For two years now, Pulse has been located at Indian Beach Park, which means it's not the easiest fair to get to. Hopefully, in the future, fair organizers will better take advantage of the location and allow in more natural light (take a cue from Untitled and Scope) and beach views. Regardless, it always seems worth going to Pulse given the consistent quality of the fair. Below are some highlights from this year's fair. Enjoy! - Andrew Katz, Associate Publisher
All Photographs By Andrew Katz
December 08, 2016, 8:17am
After a year at Fontainebluea, NADA returns to the Deauville Beach Resort. Although the Deauville is kind of tired, I think it's nice to have multiple rooms to break up the experience, and it's always good to have views of the beach. Overall, it seems like a good move for the fair to make it back up north. Below are some shots from NADA 2016. Enjoy! - Andrew Katz, Associate Publisher
All photos by Andrew Katz.
December 08, 2016, 10:26am
For art lovers, art fairs are a blessing and a curse. There is a lot to look at, but, unfortunately, it is almost impossible to really look at anything. Distractions are everywhere. Art Basel Miami is perhaps the most difficult environment to focus on art that I have ever encountered. Navigating the crowds that aimlessly meander from one side of a congested aisle to another is challenging enough. Pair that with the siren call of hundreds of large scale works in every media simultaneously screaming for your attention and you will find art fair malaise setting in rapidly.
The 2016 iteration of Miami Basel was as overwhelming as ever, even if, as the press has widely noted, there were fewer people in attendance. It was hard to ignore some of the “major” works there – Lee Krasner’s 6 million dollar painting at Paul Kasmin, Sam Durant’s call to arms at Blum & Poe, and Yayoi Kusama’s infinity room at Victoria Miro, to name a few – but I tried my best not to get distracted. I found that the greatest visual pleasures came in small packages this year. The fair’s Survey Sector, which is dedicated to one-person exhibitions, was the highlight of the fair for me with Howardena Pindell, Margaret Kilgallen, Betye Saar, Giogio Morandi and Romare Bearden all looking stellar. Many other great works could be found in the Miami Convention Center if you gave it time.
Here are some favorites from Miami Basel 2016. - Steven Zevitas, Editor/Publisher