Brice Marden
January 07, 2018, 10:35am
You Had Me At Hello: 150 Contemporary Artworks That Altered My Consciousness - Part 2
I look at a lot of art. Some of it good, some of it bad. Every once in a while, I come across artwork that fundamentally changes me, even if I don’t understand it at the time. A friend of mine recently asked me which works had had the greatest impact on me over the years, so I compiled my thoughts. This is not a greatest hits list and many artists I love are not included in it. These are all works that have been, for whatever reason, seared into my brain. To be honest, there are a number of artists on this list whose overall practice I am not a particular fan of, yet, they got to me at least once. – Steven Zevitas, Publisher
December 11, 2013, 10:36am
None More Black: Brice Marden at Matthew Marks Gallery
Brice Marden imbues surfaces with a palpable sensuality. Photos only hint at the evidence displayed throughout Graphite Drawings, Marden's latest solo exhibition at Matthew Marks Gallery in New York and the first of its kind devoted solely to his significant early works on paper. — Brian Fee, Austin contributor
Brice Marden | Patent Leather Valentine,1968, Graphite, beeswax, and red pastel crayon on a trimmed sheet of Strathmore natural white paper, 16 1/2 x 14 3/4 inches. © Brice Marden / Artists Rights Society (ARS), New York / Courtesy Matthew Marks Gallery.
April 13, 2011, 12:30pm
On Chicago Abstraction: Color & Judy Ledgerwood
Judy Ledgerwood, from Chromatic Patterns for Chicago & Blob Paintings. Courtesy Rhona Hoffman Gallery, Chicago.
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