Features
June 03, 2013, 8:30am
Art of Darkness: Nathan Danilowicz
Tucked away in a former dental office and Rastafari community center between West Adams and Culver City, artist Nathan Danilowicz has been busy. The rooms of his studio space seem like dark altars in reverence to forces both ancient and modern, where the conceptual strategies of painterly abstraction are reclaimed as the spells and invocations of a lost age. These tattered, rune-inscribed veils are the latest product of Nathan's inquiry into how sci-fi shamanism, ritual, and the occult share more than just superficial affinity with many of the modalities and practices of modern and contemporary painting. These new works along with some others will be exhibited later in June at
May 16, 2013, 8:30am
Painting, You’re Doing It Wrong
Don’t bother asking Mark Gottsegen – founder of AMIEN, author of The Painter’s Handbook, teacher, artist, and all around art materials guru – what’s the best type of paint to use? “I get asked this all the time,” said Gottsegen, who took time out from writing to speak to me last week. “And I say, well, I can’t tell you that.”
May 08, 2013, 8:30am
Painting as Shorthand: the lawn chair sculptures of Patrick McDonough
Patrick McDonough’s lawn chairs are not meant for sitting. And if they begin to seem functional, well, it’s all pretend. The sculptures offer the formal concepts of lawn chairs without actually closing the deal -- legs and armrests have gone missing, for starters, and the works themselves are decidedly non functional. Instead of functionality McDonough is interested in their allusions to an American iconography of leisure. Take a look at them and it’s not difficult to imagine the smell of freshly cut grass or the skyward boom of summertime fireworks. It’s part of what the artist describes as his overarching interest in the aesthetics of free time.
February 22, 2013, 11:30am
MAKING [in] DALLAS
I’m not gonna say that Dallas has a “burgeoning art scene.” It’s been here and it’s full of artists who are not tied to a specific idea of what it is like to exist in a cultural mecca. There is a shit ton of space: warehouses are being flipped into DIY studios, abandoned buildings are being utilized for performances and pop up group shows and there is a re-introduction of artist run galleries and raw experimental spaces. Top notch venues such as Dallas’ Power Station and Forth Worth Contemporary Arts are bringing in international artists and sparking much needed conversations as well.
February 01, 2013, 8:30am
NAP Contributor Tribute
In case you haven't noticed, we have the best art writers in the world. Seriously, it's true. Our blog contributors are stationed all over the country, scoping out shows, visiting studios, and interviewing the best contemporary painters in the art world. Recently we asked our most prolific bloggers to answer a few questions about themselves and their thoughts on 2012. It's your chance to get to know a handful of the talented individuals that bring you the New American Paintings/Blog! There are many more writers, and we hope to feature them soon.
Thanks to everyone that contributes to our blog, helping us bring our readers rich and exciting content on a daily basis!
August 07, 2012, 8:30am
Ten Must See Painting Shows: Summer 2012
Originally Posted on the Huffington Post by New American Paintings Publisher/Editor, Steven Zevitas
The heat has been turned way up on the East Coast, which is all the more reason to duck into a few galleries as you trudge through the city. As is typical for the summer months, a lot of galleries have mounted ambitious group exhibitions, many of which focus on painting.
June 29, 2012, 8:15am
40 Galleries You Should Know if You Love Paint
It is a simple truth that in any given month, if you added up all of the available space in commercial galleries around the country, the amount dedicated to painting would dwarf that of all other media. The list that I have compiled consists of 40 United States’ based galleries that have a proclivity for painting. That is not to say that painting is the only medium that these galleries show; indeed, most represent artists producing work in a range of media. All of them, however, have shown a particular interest in the medium over an extended period of time, and all have stables of artists that are at least 50% painters.
June 25, 2012, 8:15am
Abstraction in the Forecast; Gabriel Pionkowski at New Yorks Galerie Lelong
New American Paintings can work in mysterious ways. When Lisa Freiman, Senior Curator and Chair of the Department of Contemporary Art at the Indianapolis Museum if Art, completed the jurying of our 2012 Midwest Competition, the results of which will be published in August as Issue #102, we had a discussion about the overwhelming amount of abstraction in the applicant pool; indeed, the book will strongly reflect this.
June 15, 2012, 8:25am
Revisiting NAP Issue #1
At the very least, our design teams have come a long way! The content, however, although receiving face-lifts every so often, has been the same. We have featured artists from all over the country in our magazine achieving greater exposure for their work. As it states in the first publisher's note, "...this publication can act as an open studio for artists across an entire region, whether they work in close proximity to other artists or work alone in the woods...This book represents the launching of a new idea in art publishing, a new opportunity for emerging artists, and a new market for collectors."
October 20, 2011, 9:00am
Progress Report: Q&A with Kris Chatterson and Vince Contarino
Give it time and the Internet will mobilize for change in just about any arena. So it’s not surprising that artist-run exhibition spaces -- always bastions of change -- are increasingly striving for a stronger online presence, sometimes even eschewing fixed brick-and-mortar locales all together. And it’s not just exhibition spaces.
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