New American Paintings
March 05, 2014, 8:51am
It is a big week in the New York art world as six art fairs come to town, including The Armory Show and The ADAA Art Show, and the 2014 installment of the Whitney Biennial opens. Art dealers know an opportunity when they see one, so don’t be surprised to see a number of Biennial artists well represented in the various art fairs. I want to congratulate two New American Paintings’ alumni, past cover artist Keith Mayerson and Chicago-based Molly Zuckerman-Hartung, on their inclusion in this very painter friendly Biennial. Both are also currently featured in commercial gallery shows at Derek Eller Gallery in New York City and Corbett vs. Dempsey, respectively.
There are close to three-dozen NAP alumni on view around the country. In Los Angeles, Ben Weiner continues to impress with his painterly chops. His just opened show at Mark Moore Gallery includes stunning examples of his large-scale photorealist/abstract images, as well as a new series of small-scale works made with some interesting materials. Right nearby in Culver City are Brian Porray’s show at Western Project, and a soon-to-open solo of work by 2013 MFA Annual artist and Yale grad, Evan Nesbit. Four extremely talented LA-based NAP alumni are currently having solo shows in New York City, including Lisa Sanditz at CRG Gallery, Iva Gueorguieva at Ameringer | McEnery| Yohe, Sarah Cain at Galerie Lelong, and the young and already in demand Brenna Youngblood at Jack Tilton Gallery (Youngblood will be the focus of an exhibition at the Contemporary Art Museum St. Louis later this year).
Some months seem to favor mid-career and established artists, but emerging talent is on view everywhere in March. In Chicago, William J. O’Brien, who works in a range of media, from ceramics to painting, opens a show of new work at Shane Campbell Gallery (the artist is currently having his first comprehensive museum survey at the Museum of Contemporary Art, Chicago). In San Francisco, Altman Sigel is presenting the delicate paintings of the Japanese artist, Shinpei Kusanagi. In Minneapolis, the young and on-the-move David Petersen Gallery is exhibiting new paintings by hometown emerging artist, Scott Nedrelow.
I don’t even know where to begin with New York City. Shows by emerging artists that I am excited about include: Ethan Cook at American Contemporary, Jordan Kantor at Churner and Churner, Mika Tajima at Eleven Rivington, Rose Marcus at Eli Ping, Gabriel Hartley at Foxy Production, Liam Everett at On Stellar Rays, Donelle Woolford at Wallspace, and Lauren Silva at Zieher Smith. One of our favorites at NAP, Summer Wheat, opens a show at the Lower East Side space, Pocket Utopia, on March 16th, and will also be the focus of a solo booth presentation with Samson at the Nada New York art fair in May. - Steven Zevitas, Publisher
December 05, 2013, 8:15am
New American Paintings Southern Competition Deadline is December 31st.
November 12, 2013, 7:19pm
There are more than two-dozen exhibitions by New American Paintings’ alumni on view this month. Among them are the always environmentally conscious Alexis Rockman at Baldwin Gallery in Aspen, hot Chicago export Scott Reeder at Lisa Cooley in New York City, and the extraordinary Sarah McEneaney at Locks Gallery in Philadelphia.
I am not overstating it when I say that Sarah is one of my favorite painters working today. Her ability to construct space intuitively gives her intimately-scaled egg tempera paintings a shocking immediacy. It might be tempting to lump Sarah in with the widespread trend of “faux-naïve” that has been pervasive in the last decade, but there is nothing “faux” about her paintings. My sense is that there is no strategic impulse at work at all. Sarah’s pictorial language simply is what it is and can be no other way
Sarah McEneaney. Courtesy of Locks Gallery.
July 23, 2013, 8:30am
There have been a number of big days for New American Paintings over the past twenty years, but this may very well be the biggest. Today, we are pleased to present our new web site, which has been in top-secret development for a number of months. This site is both a capsule of the publication’s entire history, and, more importantly, the beachhead for our increasingly digital future.