Blog

November 07, 2011, 9:46am

Historical Lineage: Q&A with Matthew Craven

Much of Matthew Craven’s meticulous work exists as both colorful abstraction and surreal historical document. His transformation of  images appropriated from history textbooks nudge and reconfigure the original historical narratives. And his modular treatment of familiar forms unexpectedly activates their hidden potential for abstraction. Painting, drawing, collage and installation are linked in Craven’s practice through his fastidiously precise lines, which run across works and from project to project.

Listed under: DC, New York, Q&A

November 03, 2011, 8:00am

Steve Mumford Interview: Painting Iraq

Glasschord posted a terrific interview with artist Steve Mumford. Noah Post spent time with Mumford discussing his time working in Iraq and Afghanistan.

Listed under: Art World, Interview

November 02, 2011, 8:30am

MDW Fall Showcase Wrap-Up

Chicago's MDW Fall showcase is the second presentation in the past seven months of the loosely structured art fair and projects organized by Illinois non-profits Threewalls, Roots and Culture, and the Public Media Institute.  An even mix of performative pieces, non-commercial installation, small presses and cleanly presented 2 and 3D works for sale, the quality of the art was consistently high, while approach and project goals varied.

Listed under: Art Fairs

November 01, 2011, 8:45am

MFA Annual Deadline Extended!

MFA ANNUAL EXTENDED DEADLINE: November 7th, 2011

Listed under: Competitions, MFA

October 31, 2011, 8:15am

Joan Brown at the San Jose Museum of Art

One of Joan Brown’s first encounters with art was as a Catholic high school student in San Francisco. It mainly consisted of calendar covers in her Christian family living course. She later said of her parochial education: “I [knew] that this was just one tiny bit of what there was, and that I just had to get through this—get old enough is what it was—and get the hell out of there.” After graduating, Joan submitted a few pencil sketches of movie stars to the California School of Fine Arts (now the San Francisco Art Institute) on a whim, and was admitted in 1955 at the age of seventeen.

Listed under: Review, San Francisco

October 28, 2011, 10:30am

Goodbye Fortin.

It is a sad day today at the New American Paintings office as our Operations Manager, Jessica Fortin, is leaving the company. During her 5+ years of employment with us, Jess worked her way up from an intern, to a jack-of-all trades assistant to every member of the company. Her ability to juggle multiple projects, produce the funniest sneeze we've ever heard, and keep the entire office laughing will be missed. We wish her well as she moves on to a new and exciting chapter in her career.

Best Wishes Fortin!

Listed under: NAP News, Staff

October 28, 2011, 8:00am

Gerhard Richter And His Squeegee (VIDEO)

We saw this awesome video of Squeegee master, Gerhard Richter, on NOWNESS.com and had to share. The film is by Corinna Belz. Enjoy!

[youtube=http://youtu.be/yF6EluMNR14]

From the NOWNESS.COM website:

A New Film Captures the German Impasto Master at Work with His Squeegee

Listed under: Art World, Video

October 27, 2011, 10:34am

Must-See Paintings Shows: November

We reviewed upcoming November exhibitions at close to 300 commercial galleries from throughout the United States to compile this list. Once again, it is another extraordinarily strong month for the medium of painting. Highlights include the feverishly painted work of Alison Schulnik at Zieher Smith, Nathan Hylden’s complex meditations on the studio at Richard Telles, and Llyn Foulkes idiosyncratic landscapes at Andrea Rosen. - Must-See November painting shows after the jump!

October 26, 2011, 8:05am

Up all night: Q&A with Ted Gahl

Ted Gahl's new exhibition (and first solo exhibition in New York City) Night Painter, on view at Dodge Gallery though November 13th, includes an honest and uninhibited array of works that suspend memories and personal symbology in the thin stratum of Gahl's painted surfaces.  Dense but not overcrowded, minimal paintings serve as visual respite between larger, tangled compositions where the referential and abstract overlap.  Within the dark and specific palette, each painting begins to read as a different element of memory, meditation, dream, insomnia and delirium.

Listed under: New York, Q&A

October 25, 2011, 8:00am

Andrew Masullo at Feature Inc. (VIDEO)

We are pleased to present another video “gallery visit” from James Kalm, aka the painter Loren Munk. In this installment, James visits the 2010 Feature Inc. exhibition of Andrew Masullo’s work in New York’s Lower East Side. Andrew has had a 25+ year career making paintings that are notable for their intimate scale and and sophisticated use of color and form. Largely ignoring the trends and fads that have washed over the art world in the past two decades, Andrew has steadfastly produced a highly personal body of work that now seems more relevant than ever.

Listed under: Art World, Video

Pages

Recent posts

Thursday, December 22, 2022 - 18:17
Tuesday, August 3, 2021 - 15:19
Friday, June 26, 2020 - 13:03
Tuesday, March 31, 2020 - 14:02
Tuesday, March 10, 2020 - 14:55