Nick Van Woert
November 07, 2011, 9:46am
Historical Lineage: Q&A with Matthew Craven
Much of Matthew Craven’s meticulous work exists as both colorful abstraction and surreal historical document. His transformation of images appropriated from history textbooks nudge and reconfigure the original historical narratives. And his modular treatment of familiar forms unexpectedly activates their hidden potential for abstraction. Painting, drawing, collage and installation are linked in Craven’s practice through his fastidiously precise lines, which run across works and from project to project.
May 05, 2011, 12:35pm
The Shape Of Things To Come
TOP: Tracy Thomason (left) and Stacy Fisher (right), BOTTOM: Maria Walker. Installation views, The Shape Of Things To Come at NUDASHANK, Baltimore.
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