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October 29, 2012, 8:30am

Gallerist at Home: Margaret Heiner

Nestled in DC’s Georgetown neighborhood, Margaret Heiner’s cozy gallery Heiner Contemporary, is quite perfect for a bustling college town, as it offers visitors young, fresh, and contemporary art.

Heiner has a keen eye for contemporary art, which at her home, serves as quite a compliment to her husband’s passion for Renaissance and Baroque art.  Together, their home reflects their combined love and zeal for art, while also showcasing their different tastes and preferences. – Ellen C. Caldwell, Los Angeles Contributor

Listed under: Gallerist at Home, Interview

October 26, 2012, 8:28am

14 Must-See Painting Shows: October 2012

Every month we publish our own list of "Must-See" Painting Shows list on the NAP/blog. Our publisher and editor, Steven Zevitas, combs through an extensive gallery list and simplifies things for you by recommending what he feels are the very best exhibitions to check out during the month.

Listed under: Must-Sees

October 25, 2012, 8:20am

2012 MFA Competition Deadline

Attention current MFA students and 2012 graduates!

We are currently accepting submissions for what has become our most anticipated publication of the year. The MFA Annual will feature painters that are currently studying to receive a Master of Fine Arts or current year (2012) MFA graduates. Even more exciting, we have an amazing juror for this year's competition. New American Paintings is thrilled to have Dominic Molon, Chief Curator, Contemporary Art Museum St. Louis, prepared to review submissions and select the best and most promising artists to watch.

Listed under: Competitions

October 24, 2012, 8:25am

Into the Wild: Shara Hughes at American Contemporary

Shara Hughes (NAP #58) deserves our total, undivided attention when experiencing her works. There is little static or passive about the furiously colorful interiors and environments constituting See Me Seeing Me, her debut solo exhibition at American Contemporary. Are you ready to give your oculars a calisthenic workout? Dive in. — Brian Fee, Austin contributor

Listed under: New York, Review

October 23, 2012, 8:25am

In the Studio: The Process of a Painting with Robert Josiah Bingaman

In his painting “Texas,” Robert Josiah Bingaman (NAP #90, #101) traces and records the feelings surrounding his night wanderings and musings as he is in different states across the U.S.  So far, Bingaman has completed eight of this Nocturne series, with “Texas” being the most recent and most intricately recorded, process-wise.

October 22, 2012, 8:25am

Abstract Dissection: Alex Olson at Lisa Cooley

Alex Olson dialogues with her paintings, building up layers of oil on linen, asserting with palette knives or opining with a window scraper. When she is satisfied with the exchange, she backs off, revealing an array like those comprising Palmist and Editor, her second solo exhibition at Lisa Cooley. Each is so imbued with the history of its creation that it's not quite accurate to call them “nonreferential”. Like the exhibition title alludes, we must read them. — Brian Fee, Austin contributor

Listed under: New York, Review

October 19, 2012, 8:25am

Luscious Darkness: Ellen Ziegler’s Body Double

The darkness of Seattle’s upper latitude slips quietly into place as soon as summer ends, the long afternoon light exchanged for gray afternoons and early sunsets.  A number of the city’s October exhibitions reflected these seasonal transitions with darker tones and a more sinister subtext, including SOIL’s Teeth, Gallery 110’s Urban Martyrs and Roq la Rue’s Pureheart.  While less outwardly macabre than others, Seattle artist Ellen Ziegler brings both physical and psychological darkness into play through her latest series

Listed under: Interview, Q&A

October 18, 2012, 8:25am

Walled Garden at Klaus von Nichtssaggend Gallery

Walled Garden (On view through October 21st) inconspicuously groups landscape painting from several generations. You’ll find names as disparate from emerging net artist Travess Smalley to entrenched New York figure Lois Dodd (in the 50s, she co-founded the Tanager Gallery, where both Philip Pearlstein and Alex Katz got their start). All of the work loosely congregates around geometric blocks of color and a level of mid-process; the defining difference seems to be that younger artists are more fluid with materials. In that way, “Walled Garden” opens up.

Listed under: New York

October 17, 2012, 8:25am

Painting Upgraded: Analia Saban at Tanya Bonakdar Gallery

You'll never look at a painting and say: “OK, that's just a painting” after viewing Analia Saban's stunning New York solo debut at Tanya Bonakdar Gallery. This young Argentinian artist, who has been increasing her international exposure exponentially every year, collides artistic tropes with whimsy and serious wit in an envelope-pushing array of works that are all, essentially, paintings. — Brian Fee, Austin contributor

Listed under: New York, Review

October 16, 2012, 8:25am

Anya Kielar's WOMEN at Rachel Uffner

If you've walked by Rachel Uffner this month, you've probably poked your head in. From the outside, Anya Kielar’s show of hanging screens (on view through October 21st) looks kind of like a staged birthday party, packed wall-to-wall with rows of colorfully-patterned traditional, folk, and tribal women. Inside, they give an ambience of passing through airy doors. - Whitney Kimball, NYC Contributor

Listed under: New York, Review

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