susanna bluhm
July 21, 2014, 9:29am
Painting the Uncontainable: Introductions at G. Gibson Gallery
“Central Washington Fire Not Contained,” reads the headline of the Associated Press’s silent footage showing the plumes of gray and black that presided over entire mountains full of charred treetops in Washington State over the last week. Somewhere between the brush fires that maintain a forest’s health and the catastrophic fields of flames that consume the homes and the national parks of the western United States every summer resides the invisible line that separates controlled chaos from the uncontainable. Standing among the natural phenomena dominating the paintings of Introductions at Seattle’s G. Gibson Gallery while the fires burn across other pockets of the state, the related tensions investigated by these artists take on a new level of relevancy. — Erin Langner, Seattle contributor
Susanna Bluhm | Yosemite Rock (Pretend Feathers & Corduroy Patch), 2013, oil and acrylic on canvas, 40 x 40 inches. Image courtesy of the artist and G. Gibson Gallery.
June 21, 2012, 8:25am
In the Studio: Q&A With Susanna Bluhm
This month in the back gallery at Prole Drift, Susanna Bluhm is showing her latest installment in an ongoing series of works based on passages from The Bible’s nightmare-and-sex-heavy Song of Solomon. You may remember her lush paintings of islands (not part of the biblical series) reviewed alongside work by Cable Griffith at SOIL Gallery last September.
September 21, 2011, 6:21pm
Strange, New Islands by Bluhm and Griffith
For SOIL's latest show, Islands, Seattle artists Susanna Bluhm (NAP #53, 67, 91) and Cable Griffith are creating mystical terra firma. Strange, new islands, populated with references to Guston, early video games, and feminism, are all tied together with a unified of palette of blues, greens and grays. Where Griffith is tight and controlled, Bluhm is loose and expansive.
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