Philip Miner

July 30, 2014, 8:30am

Storied Surfaces: Philip Miner’s Dark All Over Europe

“You have to touch the paintings,” Robert Yoder, owner of Seattle’s SEASON gallery suddenly insisted, as he, artist Philip Miner and I stood beside a set of five canvases included in Miner’s new show, Dark All Over Europe; the artist stopped his train of thought to emphatically agree. Titled One by Four & Four Minus One or Two, Maybe More, the acrylic and flashe paintings in question stood side by side, in a tight row, coated with a texture that looked like a literal manifestation of blood and sand—speckled, saturated, and sticky. The surface that met my fingers, however, was the precise opposite. These paintings were so uniformly slick it was hard to believe they were made by a human hand.  While One by Four & Four Minus One or Two was unique in its need to be touched, each work in Dark All Over Europe had a story that started at its surface. — Erin Langner, Seattle contributor

Philip Miner | One by Four & Four Minus One or Two, Maybe More. 2014, acrylic and flashe on canvas, 20 X 16 inches. Image courtesy of the artist and SEASON.