Martin Puryear

July 17, 2015, 9:41am

Printmaking, Abstraction: “Zero to One on Paper” at Ratio 3

There’s a piece of public art installed in the Mission Bay neighborhood of San Francisco that is quintessential Richard Serra. Two 80-ton steel slabs emerge from ground at a slight angle, tilting vertically as they extend 50 feet into the air. Like other works by Serra these are experiential sculptures, un-monuments meant to affect the way we perceive the space around them. That work is titled “Ballast,” referencing the performative heft of the piece as it serves as a kind of anchor in a transitive cityscape. Serra’s etchings at “Zero to One on Paper,” on view at Ratio 3 through August 21, share the same name, though in this case the titles are “Ballast II” and “Ballast III”. Like his  public sculpture at Mission Bay the works at Ratio 3 are monolithic and textural, anchor-like in the expansive gallery space that also has works by a host of painters and other artists making editioned work on paper. - Matt Smith Chavez, San Francisco Contributor

Zero to One on Paper, July 2 – August 21, 2015, Installation view: Ratio 3, San Francisco, Courtesy of the gallery