Jordan Kasey
December 20, 2016, 10:11am
17 Artists (+2) To Watch in 2017
Twenty-thousand years after man first huddled in a dimly lit cave and consciously placed marks upon a wall in an attempt to better understand, and perhaps change, the world, contemporary artists continue to make marks on two-dimensional surfaces with much the same intent. No matter how many times painting has “died” over the years, it keeps coming back to take another shot - reanimated, reinvigorated and ready to deliver the goods. And why not? People still respond and attend to the oldest of mediums with a reverence that no other artifact of cultural production can elicit.
In 2016, artists continued to make paintings, while galleries and cultural institutions dedicated the majority of their exhibition space to their display. During art fair week in Miami in early December, which was marred by low attendance due to post-election malaise and the specter of Zika, there was more painting on view than ever. Photography and other media were scarce. As was evident last year, much of the painting of display was representational with the preponderance of figurative subject matter being notable. Even at the younger fairs such as NADA, there was an almost complete absence of the type of bland, process-based abstraction that had been everywhere for the last five years. Ever aware of the latest trends, smart dealers of all levels have scrambled to bring image based painting into their programs.
I am happy to see that many of the artists that I selected for last year’s list had stellar years. Brian Belott seemed to be everywhere having been taken on by both Gavin Brown and Moran Bondaroff in 2016. Emerging artists Loie Hollowell and Laeh Glenn both became collector darlings in 2016, and mature artist Nancy Shaver had a very strong outing at Derek Eller that received positive critical attention. – Steven Zevitas, Editor/Publisher
June 13, 2013, 8:30am
NAP Southern Issue (#106) Sneak Peek
The New American Paintings, Southern Issue, #106, is expected to hit newsstands across the US sometime in the next few weeks. Miranda Lash, Curator of Modern and Contemporary Art, New Orleans Museum of Art, juried the competition. Publisher Steven Zevitas notes in his Editor's Note, "Miranda has made quite a splasjh in New Orleans since her arrival in 2008, having already organized fifteen exhibitions at NOMA. Her selections for this issue are broad, and include a few New Orleans favorites such as Jim Richard and Luis Cruz Azaceta. In her essay, Lash offers keen insights into the conceptual and aesthetic trens she detects in contemporary art from the south." So pick up a copy and see her selections!
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