Ellen C. Caldwell
February 13, 2012, 8:15am
A Resurrected Aesthetic: Obama’s “Art Works” Posters and the New Deal of 2012
Amidst the political rallying that has really only just began to rear its loud and often noxious head, I was excited to see a side of Obama’s campaign drawing on artists and an art history that I am especially drawn to.
February 09, 2012, 8:15am
Gallerist at Home: Catlin Moore
Catlin Moore, the Director of the contemporary Mark Moore Gallery and co-Director of 5790projects, is stylish, youthful and a definite force to be reckoned with. Though she cites her collection as being “in its infancy” (especially compared to her father gallery-owner and namesake Mark Moore), her art and artifice at home make me drool. An established arts writer and LA gallerist, Catlin has created a respite at home, reflecting a space where contemporary art browses with library-esque bookshelves, curiosity cabinets, and a tangible life of its own.
January 23, 2012, 8:15am
Above the Grid: Thomas Aaron
Thomas Aaron’s (NAP #96) birds-eye visions of natural landscapes shift the viewer’s perspective instantly. His paintings offer us satellite-like images of the earth, highlighting both nature and man’s imposition upon it.
January 20, 2012, 8:00am
NAP Annual Prize Winner: William Betts
This year's New American Paintings Annual Prize has been awarded to William Betts. If you’re a longtime subscriber to New American Paintings you’re probably familiar with the work of the Houston-based artist. Betts has appeared in editions #60, #72, #84 and most recently as an Editor’s Pick in #96.
January 18, 2012, 8:15am
The Personal and Personified: Painting with Chelsea James
Painter Chelsea James (NAP #96) captures everyday scenes that are soft and enduring. Personal nooks, quiet contemplative spaces and belongings, and everyday interiors are captured in a warm and nostalgic light.
Something about her work makes me want to live in these homes and spaces she both creates and reflects upon. - More by Los Angeles Contributor, Ellen Caldwell, after the jump!
January 02, 2012, 8:15am
Top 10 NAP Posts of 2011
Even though we are looking forward to 2012, it's still fun to look back. We want to take this opportunity to thank all of our blog contributors for making our site a great place to find commentary on relevant contemporary painting. These very talented writers and videographers from all over the country include Ellen Caldwell, Brian Fee, Josh Reames, Erin Langner, Nadiah Fellah, Graham Kolbeins (Future Shipwreck), Hallie Miller, Catherine Wagley, Paul Boshears, Joey Veltkamp, Alex Ebstein, and Matthew Smith.
On that note, after the jump we list the top 10 most viewed posts by our contributors in 2011. If you haven't had a chance to read them, please check them out now! And, it's never too late to comment.
December 26, 2011, 8:15am
World of Wolf Pack: Amy Ross at the Kopeikin Gallery
"For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack." Rudyard Kipling said this in The Law of the Jungle and when viewing Amy Ross’ solo show at the Kopeikin Gallery in Culver City, my mind kept coming back to this quote. And as the release of The Hangover, gave “wolf pack” a new meaning, the power of the pack remains. - Ellen Caldwell, Los Angeles Contributor
December 15, 2011, 8:15am
Crafting & Curating: “Recrafting History” at Taylor De Cordoba
I was recently asked to curate a show for Taylor De Cordoba, a gallery in LA's Culver City art district. "Recrafting History: History, Nostalgia, and Craft in the American Memory" opened on October 29th and since then, I have had a lot of people ask me what exactly curating entails. - Read more of Ellen Caldwell's curating experience after the jump!
November 15, 2011, 8:15am
Reflections on Richard Serra’s Works on Paper
At once heavy, inviting, bold, and unbalancing, Richard Serra’s “Works on Paper” at the John Berggruen Gallery have a similar effect to his well-known steel sculptures. While his larger-than-life sculptures welcome viewers through their vast curvatures, strange passages, and interactive fi
November 11, 2011, 8:00am
Fact, Fiction, and Friction: Frohawk Two Feathers
During a time when fiction dances eerily with fact, it feels appropriate to look to a contemporary artist from my generation who is using acrylics, tea-dyed paper, and a variety of mediums to blur, illuminate, disguise, and play with these lines. I first saw Frohawk Two Feathers’ (NAP #73) work at Taylor De Cordoba in 2006 and have followed him and his empire literally through many gallery and museum openings, and figuratively through 100’s of years, numerous battles, wars, and revolutions. Lives have been lost, prisoners have been taken, but Frohawk always comes out on top.
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