Ameringer McEnery Yohe

December 10, 2013, 10:52am

Bodies of Work: Rebecca Campbell

Since her LA emergence in 2002, Rebecca Campbell (NAP #37) has been crafting sumptuous, painterly scenes that range from the poignantly quotidian to the kaleidoscopically fantastical.  The embrace of her paint handling and leaning towards large formats lend heroic, almost legendary proportions to the men, women, and children who inhabit what often appears to be a magically-real version of domestic, middle-class life.  But the dazzle of the paint does not distract or disguise – her pictures look in the eye what is often relegated to the nostalgic, the sentimental, and the emotional.  In the hands of a lesser artist, images of this sort frequently fall outside the purview of contemporary art.  Campbell, however, forges a meditation on autobiography that demands a closer investigation.  The depth of her imagery upends and reclaims motifs such as family, children, rainbows, fireworks, lightning bolts, and mushroom clouds with such deftness that their full meaning seem linked to their depiction in paint. - Jason Ramos, Los Angeles Contributor

Rebecca Campbell | Just Another Diamond Day, 2010, oil on canvas, 72 x 64 1/2 inches. Private collection. Image courtesy of LA Louver, Venice, CA