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November 21, 2011, 10:45am

Katy Moran at Andrea Rosen Gallery (Video)

We are pleased to present another video “gallery visit” from James Kalm, aka the painter Loren Munk. In this installment, James provides "...a quick view of the new paintings by Katy Moran. Small, scrappy and authentic, these works seem to echo the influences of early American masters of modernism. Among those nuances are Ryder, Dove, and the assemblage works of Rauschenberg, Berman and Lauri.

Listed under: Video

November 18, 2011, 10:15am

Piled-Up: Q&A With Allison Schulnik

Stepping out of the ambient bustling of West 20th street into ZieherSmith last week, the outside world and its stimuli immediately evaporated.  Through the gatherings of weary figures and overripe fauna of Allison Schulnik's solo exhibition drifts the melancholy melody of Scott Walker's “It's Raining Today,” the source imperceptible from the entrance.  Dramatically lit with small spots, and thick with the smell of oil paint, Mound (Exhibiting through December 17th), envelopes its viewers in a multi-sensory experience of nostalgia and theatricality.

Listed under: Q&A

November 17, 2011, 8:20am

Looking Closer with Josephine Halvorson

Josephine Halvorson breathes life into marginalized and utilitarian surfaces and objects that most of us don't just disregard on a daily basis, we're even oblivious to their very existences. How often have you regarded a steam valve so closely that you could draw it from memory? Does your flat even have steam valves?

Listed under: Review

November 15, 2011, 8:15am

Reflections on Richard Serra’s Works on Paper

At once heavy, inviting, bold, and unbalancing, Richard Serra’s “Works on Paper” at the John Berggruen Gallery have a similar effect to his well-known steel sculptures.  While his larger-than-life sculptures welcome viewers through their vast curvatures, strange passages, and interactive fi

Listed under: Los Angeles

November 14, 2011, 8:20am

Material Worlds: Nola Avienne’s 11.11.11.11

The richness of Nola Avienne’s work invites visual indulgence. Captivating the eye through highly textural, densely composed imagery, her sculptures and mixed media works hover within the classic duality of the beautiful and the grotesque without perpetuating clichés. The Seattle artist distinguishes her work through the use of unusual mediums, best known for her meticulously crafted sculptures comprised of iron filings. Some of these manifest as intricate forms reminiscent of lush, fungal-like organisms; others demonstrate the kinetic potential of their magnetic medium through geometric mechanisms that circulate quietly in slow motion. -- Erin Langner, Seattle Contributor

Listed under: Review, Seattle

November 14, 2011, 8:15am

Dissecting Environments with Josh Keyes

I was pleasantly taken aback by Portland-based artist Josh Keyes' (NAP #49 & #67) vividly photo-realistic renderings of fauna in cleaved terrain in Fragment, his debut solo exhibition at Jonathan LeVine Gallery last winter. In one fell swoop, Keyes juxtaposed Audobon-precise animals interacting with textbook-style bisected and angled landscapes overrun with premonitions of global warming, a mix of heady surrealism and acute future reality.

Listed under: Portland, Review

November 11, 2011, 8:00am

Fact, Fiction, and Friction: Frohawk Two Feathers

During a time when fiction dances eerily with fact, it feels appropriate to look to a contemporary artist from my generation who is using acrylics, tea-dyed paper, and a variety of mediums to blur, illuminate, disguise, and play with these lines.  I first saw Frohawk Two Feathers’ (NAP #73) work at Taylor De Cordoba in 2006 and have followed him and his empire literally through many gallery and museum openings, and figuratively through 100’s of years, numerous battles, wars, and revolutions.  Lives have been lost, prisoners have been taken, but Frohawk always comes out on top.

Listed under: Los Angeles, Q&A, Spotlight

November 10, 2011, 8:15am

Celebrating with Joanne Greenbaum

Hopefully this burst of intimately scaled creativity by Joanne Greenbaum — as 1612, her first iteration of small-size abstract paintings at D'Amelio Terras (on exhibit through November 12th) — is just the beginning. Greenbaum's masterful grasp of structure and fluidity and her daring, saturated color palette are not stymied by the canvases' decreased dimensions, but rather revel in it, amplifying their intensities. Her performative methodology and resulting salon-style hanging of the 48 works, sprinkled like neon-emitting raindrops about the front gallery's four walls, indeed induces a celebratory vibe. Let's get to reveling.

Listed under: New York

November 09, 2011, 8:15am

The Art of Occupation

As the Occupy movement continues to grow, the lines between ‘artist’ and ‘activist’ have become increasingly blurred. Images, text, video and photographs convey the messages and events of the movement on every available surface, website, blog, and twitter feed. In fact, as Martha Schwendener recently noted, Liberty Plaza, or any occupation site for that matter, has “became a kind of art object: a living installation or social sculpture.”  - Nadiah Fellah, SF Contributor

November 08, 2011, 8:15am

Andrew Falkowski at Andrew Rafacz Gallery

No More Heroes, Andrew Falkowski’s (NAP #35) first solo show at Andrew Rafacz Gallery, features a fresh body of work broken down into three parts: Napoleon Bonaparte, ransom letters, and geometric abstraction. Though the three bodies of work seem at first to be disparate, they turn out to be more like three Venn diagrams that overlap and inform each other while maintaining their individual properties. This allows for a tension-generating dialogue between source material and formal qualities. -- Read more by Chicago Contributor, Josh Reames, after the jump!

Listed under: Chicago, Review

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