Review

May 22, 2013, 8:30am

Invisible Performers: David Salle at The Arts Club of Chicago

How can a figure pretend to be invisible, yet still remain the focus of the painting?  David Salle begs the question with his recent exhibition at The Arts Club of Chicago – a stunning collection entitled the Ghost Paintings, which displays a collection of work produced by Salle in the early 1990s.

Listed under: Chicago, Review

May 14, 2013, 8:30am

Weekend Warriors

At the shared edge of Hollywood and Los Feliz, across from La Luz de Jesus Gallery / Wacko / Soap Plant, down a block from Cheetah's gentlemen's club, and next door to a tattoo place, lies the residence of artists Jay Erker and John Mills.  The front room of their place is also Weekend, described on their website as “a new artist-run space dedicated to showing the work of under-represented and emerging contemporary artists in Los Angeles and beyond.”  Since Erker and Mills opened Weekend in 2011, it has become one the defining outposts of Los Angeles' thriving community of artist-run and alternative spaces, wit

Listed under: Los Angeles, Review

May 07, 2013, 8:30am

William Powhida Paints in Earnest

At first glance, William Powhida’s new show Bill By Bill at Charlie James Gallery looks like a fairly typical survey of contemporary art.  Just about all of today’s most common approaches to object-driven art making are represented.  There’s a post-minimalist sculpture, some neo-modernist wall pieces, a hard-edged abstraction, three large digitally printed color field paintings, a neo-expressionist painting, a taxidermied animal, and a neon sign.

Listed under: Review

May 06, 2013, 8:30am

ROLL CALL: 3 Dallas Group shows

I want to keep this simple. There is a core group of artists in Dallas making the rounds and putting interesting work into the local and national converstion and I just want to put this hard working  bunch of artists on blast. Below are a few images from 3 recent  group shows curated by Dallas based artists. Most of the artists in these shows, as well as the curators,  have links to their site. This, dear reader, is so that you can follow up on an artist or work you might find engaging. Everyone couldn’t get an image into this article so hopefully you will take a minute and click on the artists names to see what they got going on.

Listed under: Dallas, Review

April 22, 2013, 8:30am

Painting Restraint: Julie Alpert’s Boundary at SOIL

Seattle artist Julie Alpert has a penchant for pushing ideas between the second and third dimension.  Her installations often merge large scale, graphic murals with physical objects to create immersive, painted mashups that exist somewhere between contemporary surrealism and a utopic built environment. In her newest set of watercolors at SOIL, Alpert distills her hyper-saturated scenes into seventeen modest paintings that stretch and contract within their postcard-sized confines. The painted mounds seep across their surfaces, building an intricate collision of techniques and mediums within the smallest of spaces.

Listed under: Review, Seattle

April 04, 2013, 8:30am

Alejandro Cartagena’s “Car Poolers”

To start, I am a big fan of Alejandro Cartagena’s photographs.  In his recent series Car Poolers, he documents and captures construction workers carpooling to and from work.

Listed under: Review

April 03, 2013, 8:30am

Henry Taylor at Blum & Poe

Henry Taylor’s second solo show at Blum & Poe mixed historical commentary with a raw style, witty edge, and large-scale abstraction.

Listed under: Review

April 01, 2013, 8:30am

Novel Graphics: Richard Forster and Ewan Gibbs at Lora Reynolds Gallery

Take two fortyish male English artists sporting intricate, process-driven drawing prowess: one a bespectacled, intellectual northerner (Richard Forster), the other a bearded, loquacious southerner (Ewan Gibbs). Put them in a room together. Wait two years. What do you get? An intense discourse on drawing and its ability to convey emotion as acutely as a photograph. — Brian Fee, Austin contributor

Listed under: Austin, Review

March 28, 2013, 8:30am

Actualizing Abstraction Now: Painting Advanced at Edward Thorp Gallery

I've got abstraction on my mind. Not that I shy away from unmistakable figuration — and I admit my weakness for the sexiness of fin de siècle Paris (Henri de Toulouse-Lautrec et al) — but lately I've been focusing my attention on process and color, whether or not form is even discernible. I moderated a panel of young abstract artists recently, yet despite my grasp of 'contemporary trends' I still turned my attention to the boldly titled group exhibition Painting Advanced that opened recently at Edward Thorp Gallery in Chelsea.

Listed under: New York, Review

March 27, 2013, 8:24am

TOM THAYER AND DAVE MIKO: MOVING IMAGES

Tom Thayer and Dave Miko have paired up to create a series of video installations at Eleven Rivington’s exhibition space at 195 Chrystie St (the exhibition was on view through March 17th). Tom Thayer’s animations and assemblages were included in the 2012 Whitney Biennial, they are a kind of dark atmospheric storytelling pulling from the language of puppetry and theatre. Dave Miko’s work is a more straight forward painting process, at times including the use of hand written text with oil on aluminum and recently, installations of wall sized drip and spray paint paintings. Miko was included in the Greater New York show at MoMA PS1 in 2010.

Listed under: New York, Review

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