Q&A
August 30, 2011, 10:00am
Talking Technology with Bonard Hughins (#94)
In a time when technology is changing and morphing around us so quickly that we are all in a steady state of flux and perpetual catch-up, Bonard Hughins‘ paintings (NAP #94) offer us a respite.
August 25, 2011, 10:30am
Piles and Textiles: Studio Visit with Erin Payne
Erin Payne (NAP #93) paints what she terms “piles” – they are piles of jumbled and indefinable fabric and scattered memories. Upon first glance, they reminded me of many fond piles from my own life: blankets abandoned from a childhood fort, wet and sandy towels left at the beach, and the ever-growing laundry that accumulate magically by week’s end. I also saw them as shells of things that once were, but were now abandoned and I was excited to learn more about her process and inspiration. -Ellen C. Caldwell, LA Contributor
June 20, 2011, 12:25pm
Pacific Coast Juror: Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles
May 13, 2011, 1:22pm
Northern Exposure: Seattle's Ambach & Rice Make the Move to L.A.
Installation view, Eric Yahnker: Cracks of Dawn, Ambach & Rice satellite exhibition @ Kunsthalle LA, Los Angeles.
May 11, 2011, 12:27pm
Character Development: A Q&A with Raul Gonzalez
Raul Gonzalez, Alarums!!, 2010 | Ink and acrylic, 41.75 x 41.75 inches. Courtesy the artist and Carroll & Sons Gallery, Boston.
May 03, 2011, 11:16am
In the Studio: Pamela Wilson-Ryckman
Pamela Wilson-Ryckman, Looter, 2010 | Watercolor on paper, 22.5 x 30 inches. Courtesy the artist.
I recently caught up with San Francisco-based artist Pamela Wilson-Ryckman in her studio—one of many housed in converted horse stables that still bear the high ceilings and large wooden barn doors of their original structure.
April 26, 2011, 12:45pm
What's Next for NEXT: Q&A with Curatorial Director, Ken Tyburski
Photo credit: Timothy Tompkins, Explosion_v3, 2010.
April 21, 2011, 12:50pm
Well Hung: A Q&A with Sam Gilliam
Installation view, Sam Gilliam, Close to Trees, 2011 | Acrylic, polypropylene, nylon, and a mirror, site-specific installation. Courtesy the American University Museum and Marsha Mateyka Gallery, Washington, DC.
April 07, 2011, 11:56am
Cassandra Coblentz: Q&A with the West Juror
One of our most anticipated editions of the year, the West competition of New American Paintings is now open for submissions through April 30. (Apply online!)
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