Nadine Faraj
Region: MFA Annual
I want to make it so you feel totally alive, so you feel without
thinking, just for a moment.
I paint with watercolor on paper. This is a subtle medium that I
use to depict provocative scenes—I like the tension between
these two qualities. I use a wet technique that allows color to
run, bleed, and expand in all directions. Pigments often bloom on
their own, creating unexpected forms. I enjoy the broad range of
body reconfigurations that ensue, which I see as depictions of our
irrational selves. And I wonder, if I abstract bodies to the edge of
recognition, can I point to some unnameable experiences?
I explore our inner workings, using eroticism to reveal our
neuroses and our beauty. Sex has the uncanny ability to reveal
exactly that which we would prefer to conceal. The bulk of my
source material comes from magazines that drastically trivialize
sex. Painting in an expressionistic way, I’ve been transforming
these images of sex-without-feeling into new, more human, more
vulnerable versions.