Drawing from the post-socialist landscape of and attitudes about the former Yugoslavia, I analyze collective memory politics and the archive. I create in between spaces, concentrating on objects, architectural features, political photographs, and embroidered words to mimic the geographic and political placement of a departed country. Dissecting the dissonance between national attitudes and my own feelings of displacement, the images and historical design in my pieces memorialize a long gone environment and reflect upon contemporary disillusionment. Ultimately, as a study of absence, aesthetic markers, and political relics, my practice focuses on the transformation of national memory.