Spotlight Artist

Chris Jahncke

South
Artist profile photo
Featured in New American Paintings

Artist Statement

My fascination with meteorites came at a young age, mostly due to the fact that they are both the oldest and furthest traveled objects around. I liked the idea of bringing this huge sense of time and space to the dialogue of contemporary art. After some attempts at depicting them in paintings, I decided to begin a series of paintings by collaging actual slices of various meteorites into the painting as central subjects. I then surround them with thick layers of paint and marble dust to create an otherworldly surface image that is ambiguously primordial or futuristic. I’m interested in all the various phenomena related to meteorites, be they mythological, scientific, or speculative.

Artist's Additional works

Works shared by the artist outside of their featured New American Paintings selections

Featured artwork
Featured artwork

Discover more artists from the South

THE MAGAZINE

Explore our magazine to discover exceptional artists

Open magazine with text, modern illustrations, and a list of artists on a pink background.
View issues

Call for Artists

Submit your work for consideration

New American Paintings is a juried exhibition-in-print and digital, presenting the work of 40 emerging artists in each issue.

View competitions

Your gateway to new art

Discover tomorrow's art stars, today

Two books on a wooden table with a modern decorative sculpture in the background.

PRINT + EARLY ACCESS DIGITAL SUBSCRIPTION

$179/YEAR

DIGITAL SUBSCRIPTION

$99/YEAR OR $10/MONTH

Each issue of New American Paintings features forty artists selected through our juried competitions—presented in a beautifully curated, full-color publication. Subscribers receive six issues per year, plus exclusive online access to current and past editions. Are you a collector? Consider our premium subscription and receive our museum-quality printed publication + access to each new digital issue two weeks before its general release.