Elizabeth Holtry
My recent series of paintings, titled Salt, explores the beauty
and underlying fragility of the Bonneville Salt Flats in remote
northwestern Utah. The remnant of an ancient saline lake and
one of the flattest places on earth, this bleached and barren
landscape is strikingly otherworldly.
Climate change, nearby potash mining, and motor racing are
imperiling the stability of the salt flats, and natural processes
continually transform the landscape. Rain covers the blinding
white flats with a reflective pool of shallow water, causing the
ground and sky to visually merge. Evaporation reveals the glittery
salt crust. Erosion carves new textures and alters the terrain.
My paintings focus on the landscape’s ethereal visual effects.
Some juxtapose patterns in the crust with reflections of the sky in
standing water. Others depict cracks in the parched earth, halite
formations, or discordant tire tracks. To emphasize the mystery
of the place, I exclude the sky and mountains. My aim is to foster
environmental awareness and express my fascination with
a landscape that is harsh, beautiful, and vulnerable.