My recent paintings continue my interest in the problematized psychological relationship between humans and the natural world. I am utilizing the genre of landscape painting to suggest mystical, invisible worlds that parallel our own, often depicting colonization and escape from a desertified electrical planet. The color fields exhale atmospheric spaciality that are filled with imagery of oversized silhouettes of microscopic life and of plastic garbage in contrast with miniature silhouettes of humans. A recurring image in this series is developed from a diagram of the internet.